I am the type of tutor who is very enthusiastic about each individual participant finding their own interpretation of a scene, rather than copying me. I have hang ups of my own to deal with, let alone inflicting them on others! Therefore, this means that I will guide and show the class what I would do, but then offer a range of alternative approaches so that each person can tackle the project in their own way and hopefully each session becomes different from the last.
Yesterday was no exception in that I wanted the class to have a go at incorporating sand and salt with watercolour ground, but also to try and challenge myself in painting differently and subsequently pass on my experimental approach.
It's yellow, I just don't 'do' yellow. Not in my clothes, furnishings and certainly not in my paintings but this is a daft attitude for a painting tutor, so I have been making myself paint in yellow and using it as often as possible. The solution so far is Quinacridone Gold, for those of you who don't know it, it is relatively new in pigment terms and it is a compromise for me - bright and energetic and capable of making all sorts of other colours - but still it's yellow.
Below you will see the almost finished result of the workshop yesterday, not a grand piece by any stretch of the imagination...
...but it has tackled some interesting techniques. We used a coin wrapped in kitchen roll to blot out the sun, salt, sand and masking fluid for texture and had a lengthy discussion about granulating colours and where you should use them.
Like I say, this isn't going to be a piece that makes it to the framing department (or my husband as he is otherwise known) nonetheless it will go in to the samples book as a teaching aid for textures and for how water can reflect light. It will also be another one to chalk up on the 'I've painted something in yellow' chart and therefore any time spent painting doesn't necessarily have to result in a masterpiece, it's just part of the process of discovery.